Mehrotra’s tour de force on architecture since 1990 deals with the great leap upwards of post-reforms India. He is a fit chronicler—and messiah—of both, the egotistic spoor of what he calls ‘impatient capitalism’ and the forces of resistance. He has been more realistic, and less arrogant, than the post-independence star chamber of Correa, Doshi, et al. This tome describes the ‘plural landscape’, which is the result of India’s reactions to globalisation.
Post-’90s urbania appears to be all about the mall-ing of Indian architecture. The spectacle of FDI Unbound brought in an uncapped investment in global architects. They are a far cry from those who created the Nehruvian aesthetic—Le Corbusier, Louis Kahn, Frank Lloyd Wright and Buckminster Fuller—because the patronage has now changed from the Sarabhais to software giants.