January 17, 2021
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Yashodhara Dalmia

Magazine
  • For A Commune, Not A Circus
    In a catharsis of sorts, Krishna uncovers the cruel exclusivity that infects classical arts, keeping out women, minorities and others down the caste hierarchy
    May 16, 2018
    | Yashodhara Dalmia
  • Hill Women (1935)
    Sad In Bright Clothes
    Visiting Amrita Sher-Gil’s art on her birth centenary
    Jan 28, 2013
    | Yashodhara Dalmia
  • Beholder’s India
    A gallery of Indian landscapes—from the orderliness of the Company School to modernists’ abstractions in impasto
    Oct 15, 2012
    | Yashodhara Dalmia
  • Damien Hirst’s gallery will partake
    The Delhi Art Haat
    Picasso, Dali, Yoko Ono.... the India Art Fair is bigger than ever
    Feb 06, 2012
    | Yashodhara Dalmia
  • Violacion V (1933) Minotaur frothing
    Pablo, The Bull
    Work from Picasso’s most creative phase, 1930-37, comes visiting
    Dec 07, 2009
    | Yashodhara Dalmia
  • Equus Interruptus
    The vigorous credo of India's most famous painter saw him galloping in pace with the march of time
    Dec 08, 2008
    | Yashodhara Dalmia
  • Francis Bacon: Three Studies of the Male Back
    Masters Of The Grotesque
    For the first time, Indian and European greats exhibit together
    Sep 10, 2007
    | Yashodhara Dalmia
  • White Shadows
    A rare Amrita Sher-Gil study of rural women is sold for a record Rs 6.9 crore
    Mar 20, 2006
    | Yashodhara Dalmia
  • Forlorn Faces, Close Up
    A post-9/11 dread fills Bhupen Khakhar's poster-faces, says Yashodhara Dalmia
    Mar 25, 2002
    | Yashodhara Dalmia
  • Eavesdropper's Delight
    The larger-than-life artist has been humanised in this handsomely-illustrated book.
    Jan 28, 2002
    | Yashodhara Dalmia
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